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8 January 1836 – 25 June 1912. Most renowned painters.

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Duccio di Buoninsegna
Madonna and Child Enthroned with Six Angels

ID: 40123

Duccio di Buoninsegna Madonna and Child Enthroned with Six Angels
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Duccio di Buoninsegna Madonna and Child Enthroned with Six Angels


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Duccio di Buoninsegna

1255-1318 Italian Duccio di Buoninsegna Locations Italian painter. He was one of the most important painters of the 14th century and like his slightly younger contemporary, Giotto, was a major influence on the course of Italian painting. An innovator, he introduced into Sienese painting new altarpiece designs, a dramatic use of landscape, expressive emotional relationships, extremely complex spatial structures and a subtle interplay of colour. His most important and revolutionary work, the Maeste for Siena Cathedral, was never matched during the 14th century, if at all, and his influence lasted well into the 15th century.  Related Paintings of Duccio di Buoninsegna :. | Her Madona and the Nino Entronizados,con six angelical | Maesta | Madonna and Child Enthroned with Angels and Saints | Crevole Madonna (detail) sdg | Madonna and Child with Angels |
Related Artists:
Jean Baptiste Camille Corot
1796-1875 Corot Locations French painter, draughtsman and printmaker. After a classical education at the College de Rouen, where he did not distinguish himself, and an unsuccessful apprenticeship with two drapers, Corot was allowed to devote himself to painting at the age of 26. He was given some money that had been intended for his sister, who had died in 1821, and this, together with what we must assume was his family continued generosity, freed him from financial worries and from having to sell his paintings to earn a living. Corot chose to follow a modified academic course of training. He did not enrol in the Ecole des Beaux-Arts but studied instead with Achille Etna Michallon and, after Michallon death in 1822, with Jean-Victor Bertin. Both had been pupils of Pierre-Henri Valenciennes, and, although in later years Corot denied that he had learnt anything of value from his teachers, his career as a whole shows his attachment to the principles of historic landscape painting which they professed.
Paul Hoeniger
German, 1865-1924
Cornelis Massijs
painted Hl. Hieronymus in einer Landschaft in 1547






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